King Arthur
The Accidental Storyteller
The Last Warriors Project
Wayland Smith
Once Apop...
The Dreaming of Britain
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The
story of King Arthur
Jamie Crawford has delved into the earliest sources as well as subsequent
reworkings to find a living connection between the Arthurian story
and 21st century Britain. By turns playful, tragic and mysterious,
this spirited new show cuts through the cliches surrounding King Arthur,
bringing to life the passions and flaws that beset the Fellowship
of the Round Table from its inspired rise to its violent fall.
The show deals with the central story of the Arthurian cycle, from
Arthur's conception to his passing, focussing on Arthur himself, Morgana,
Merlin, Mordred, Guinevere and Lancelot. Among the episodes covered
are the sword in the stone, the lady of the lake, the Holy Grail and
the final battle at Camlann, as well as many lesser known parts of
the story.
Composed by Jamie Crawford in collaboration with John Wright, June
Peters and Hugh Lupton. Suitable for adults and children aged 12 upwards.Developed
with financial support from Arts Council England.
“his powerful and provocative one-man show "
Kevin Maher, film critic for the Times
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The
accidental storyteller
The birth of my son when I was forty seven changed everything for me. This new show is a playful collage of traditional story with reflections on my personal life and on my experience as a performer over the last quarter of a century. Suitable for adult audiences.
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THE LAST WARRIORS PROJECT
A one or two day STORYTELLING THEATRE WORKSHOP
with JAMIE CRAWFORD and BERNARD TAGLIAVINI
(based on an original idea by Dan Keding)
Create eye-catching, thought-provoking and amusing stories through improvised group work.
The workshop culminates in a short performance by participants to invited interested parties.
The workshop uses music and mime to depict a great battle which results in the last two surviving opponents coming face to face, too exhausted to continue fighting. Through a series of experimental games, devices and exercises, the workshop participants are encouraged to devise short stories and scenarios about themselves, families, friends, and experiences in their lives. These form the basis of what the two warriors learn about one another during the course of the night they spend together on the battlefield. The conclusion of the battle is then portrayed. The final results invariably produce the unexpected..... and a great deal of animated discussion!
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Wayland
the Smith And other Stories
Wayland
Who works the Fire
Labouring Night and Day
For the Few and the Many
Rose up and sang this Lay...
The show includes pieces such as the Icelandic riddling story of Gestumblindi,
the Sussex legend of St. Dunstan and a new version of How the Bee
Became, originally by Ted Hughes. The title story is an ancient Germanic
tale of love, abduction and revenge featuring a mythical blacksmith
with extraordinary powers and very human passions. Suitable for adults
and children of 12 upwards.
‘“Jamie Crawford's performance of Wayland Smith was
stunning. He is one of the few storytellers that has pulled
off the magic of maintaining a high emotional charge while at the
same time keeping a close connection with his audience." Graham
Langley, Storytelling Café
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Once Apop a Snickety
Wow!
Old stories told in a new way.
Listening to storyteller Jamie Crawford children and parents will journey to extraordinary worlds, they will laugh out loud, fall silent in wonder, jump with surprise, grapple with riddles, call out, join in, sing along to the choruses and come back home in time for tea.
A family show suitable for ages 5 and upwards
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ongoinG Project
An unfinished repertoire drawn from what I call the dreaming of Britain, these are stories that spring from landscapes and lore that have spoken to my imagination in various ways and the result is an eclectic mix of tales, traditional songs and poetry, including several legends from my home county of Sussex. Suitable for adults
and children of 12 upwards.
I picked a coin from the floor of
the cave.
It was worn almost smooth
but on one side I could
just make out the head of a god
with two faces
one looking back into
the past
one looking forward.
'Good choice,' said
the old man. 'We must go.'
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